RELEASE BOOST
Title: Feisty
Author: Julia
Kent
Genre: Romantic
Comedy/Contemporary Romance
Audiobook
Narrator: Erin Mallon
Release Date:
January 28, 2020
BLURB
AN ALL-NEW
STANDALONE FROM NEW
YORK TIMES
BESTSELLING AUTHOR JULIA KENT
I’m not too proud to admit that finding Mr. Right involves swiping right.
Right? Welcome to dating in avocado toastland.
Here I am, on my first blind date, ever, courtesy of a smartphone app and
my two annoying best friends.
So what is Chris “Fletch” Fletcher doing, walking across the room,
looking at his phone like he’s pattern matching a picture to find a real
person he’s never met before?
Oh.
Oh, no.
The guy I drop-kicked in seventh grade cannot be my blind date. The guy
who earned me this infernal nickname.
That’s right.
Feisty.
—
More from New York Times bestselling author Julia Kent as Fiona “Feisty”
Gaskill gets her chance at love - drop-kick included.
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EXCERPTS
#1
“Fletch?” I gasp as Perky smiles and walks away, abandoning me in my time
of need.
“Hey, Fiona. What're you doing here?” He looks down at my drink. “Nice
penis.”
“Excuse me?”
He points to my chai latte. “Perky did a good job. I was in here last
week and she made some beautiful flower patterns on my latte.” He frowns,
then his eyebrows shoot up. “Hold on. Those weren't flowers, were they?”
I laugh.
“Wow. And they seemed so... detailed. And gorgeous.”
My sides are splitting.
“Please... stop... flowers...” I gasp.
“That latte did give me a sudden desire to go to a Georgia O'Keeffe show,
though.”
I rush to take a sip of my chai latte and make the penis go away. Fletch
watches me, mouth spreading into a wider grin, his green eyes shining as
he crosses his arms over his chest.
It's only then that I realize he's wearing real clothes. A crisp, light
purple dress shirt, open at the neck, tucked into khahis. He has actual
leather shoes – and not for weight lifting or cross-training – on his
feet. His hair is styled but not sticky, and he has a close, clean shave.
His aftershave is divine.
“You're not in workout gear. Or a paramedic's uniform,” I say as I blot
the foam on the tip of my nose, wondering if it's ruined my makeup.
“And you look lovely tonight. A little overdressed for a Beanerino latte
with Perky,” he says, waving to her from across the room as she swings a
hand towel in the air like she's a date-night air traffic controller.
“I have a date.”
“So do I.”
“You don't have a man bun, do you?”
He looks down at his crotch. “Is that like camel toe for guys?”
#2
My lungs have decided that the world is too dangerous to make a move,
utter a sound, do anything. I'm frozen, the pulse inside me growing
stronger as time ticks away. My own shut-down system is the barrier to
oxygen. The disconnect between what my body needs and what my tattered
psyche can handle is causing my overload to leak out in a really obvious
way.
“Fiona?” Josh says, shaking me gently, Michelle looking to him for
certainty.
And then suddenly, Josh is out of my sight, replaced by two clear, calm,
green eyes, light brown hair, and hands that feel like anchors.
“Feisty? Feis–Fiona?” Fletch corrects. The sudden pivot to using my
proper name is jarring, given the fact that every atom in the world is
buzzing inside my ears and nothing anyone does will help me to breathe.
I make a strange sound. I know it's strange because his eyebrows turn
down in the middle, his facial muscles pushing them low enough to show
concern.
Concern for me.
“Breathe,” he says slowly as he puts one hand on my diaphragm, fingers
warm and firm.
I make a sound to indicate that I am confused and the speech centers in
my brain have shut down. Empathy floods me as I realize this is exactly
what my student with severe apraxia, little Myles, must feel like when he
loses his words under extreme stress. For years, I've said “use your
words” to four-year-olds having anxiety fits.
Never again.
“Breathe, Fiona,” he murmurs, taking a deep breath to demonstrate, his
belly expanding in a comical way, though I know his technique is strong.
Hypnotic and commanding, his voice and body tell me what to do, guide me
back from being lost in the woods to a cleared trail where I can find my
footing, take a rest, and possibly feel safe again, knowing I can find my
way home.
I inhale, the insides of my nostrils cold, the air hitting my nasal
passages a welcome assault, diaphragm spasming and sputtering back to
life.
“That's my girl,” he whispers against the curl of my ear, his breath like
coffee, his hard forearm muscles all I can see, the ripped cord of his
strong lines drawing my gaze. “You just breathe. It's over now. You did
it. You saved them. It's okay to breathe.” He inhales, then slowly
exhales. “Let's do this together now.”
#3
“Why are you suddenly meddling in my life like you know me? Because you
don't,” I inform him, moving closer, one hand rising up, my index finger
pointing as I assume a power stance that seems otherworldly. Some self
inside me is coming to the forefront.
And she has something to say.
Two of the people at his table turn and look at us, then start
whispering. Fletch's eyes cut over.
“Can we talk in private?” he asks.
“Why? Afraid of being called out in public?”
“No, but you're about to get a bunch of cellphones pulled out. You really
want more recordings of you floating around on the internet?”
I spin on my heel and move to the hallway in what I think is the direction
of the bathrooms. Paleo2Clean is new to me, but before this incarnation,
it was a soup restaurant, and before that, a froyo place.
Yep. Guessed right. High chairs and bathrooms.
“Look, Fletch,” I say, grabbing his arm hard. “Until our reunion last
year, I hadn't seen you in forever. And when Mal and Will chose us both
to be in their wedding, I wasn't happy, but I plastered on a fake smile
because that's what you do when your friends are getting married and you
used to hate one of the groomsmen.”
“Hate?” A smile tickles his lips, his amusement infuriating me more than
any other response he could possibly have. “You,” he says, looking at my
hand on his skin, taking a step closer into my space, “hate me?”
“No. I said I used to hate you. Before I worked on evolving and being a
better human being.”
“How, exactly, have you done that?”
“By increasing my vibration.”
“You are a better person because you use vibrators?”
“Who said anything about sex toys?”
“You did. Just now.”
“No, I didn't! I said vibrations!”
“What's the difference?”
“Enlightenment!”
“Pretty sure enlightenment comes from enough orgasms, too, Fiona.”
An espresso machine hisses in the distance, cutting through the sound of
our matched breath. He's inches from me, heat pulsing off his rock-hard
body, the close-fitting black cloth of his shirt rippling only because of
curved muscle. My hand on his arm feels like heat itself, our bodies some
sort of element that conducts energy on a wavelength science hasn't
discovered yet.
And I'm wet, wanting, and so, so confused.
“Why are you turning this conversation into a sex talk?” I finally choke
out, pulling back as he leans in.
“You started it,” he replies, the smile fading, replaced by something
intensely seductive. He bites his lower lip for a moment, looking at me.
Then, in a whisper that makes me lean in to hear, he adds, “Maybe you
wouldn't hate me so much if I helped you with those vibrations.”
#4
I charge Fletch, channeling it all, giving him what he's asking for.
He moves as I plow into the bag, my body still unable to attack him
directly, his hands on my waist as I spin. Dropping to the ground, I use
my lower position to twist out of his grasp, leg cocked and ready, but
he's fast.
So fast.
Sweat sprouts all over my body like someone's misting me, the sudden
crush of hormones, heat, and the pounding physicality of what we're doing
making me wet.
In more ways than one.
I'm a mixture of revulsion and arousal, hating myself for feeling this
way as his arms encircle me, my mind split between re-igniting the terror
of the preschool attack and the very real, visceral feel of Fletch's skin
against mine, welcoming the rutting, animal-like push of his slick thigh
muscles against my arm as I fight him, working to pin him.
Failing miserably.
By the time we're done, this scrimmage is a joke, his body pressing me
into the ground, arms immovable, my breath heating his nose as he looks
down on me with a grin.
And then that fades.
Replaced by the unfiltered expression of a man who is falling. Falling,
falling, falling into me.
Like time itself has collapsed.
And the sheer force of attraction is how we propel ourselves forward.
“This is great!” Michael shouts from the sidelines, the click click click
of his shutter breaking the silence, Fletch's hips digging into mine, his
hardness making it clear how he feels about me.
He doesn't move. My wrists are pressed into the mat, my hair tugging at
the roots, caught under my shoulder blades.
“See?” he whispers in the space between us. “Not happening again. You
kicked my ass in seventh grade. But we're not tweens now, are we?”
As he says the words, my nipples harden, a yearning in the form of flesh
centering between my legs. All I want to do right now is wrap my ankles
around his waist and be screwed four ways to Sunday.
If that's even really a thing.
“No,” I gasp, fighting and failing to be freed. “We're not. And if we're
not, then what are we?”
“You tell me, Fiona. What are we?”
All the oxygen in the room rushes out. I'm left in space, floating,
aimless and without anchor.
Jolene was wrong.
So wrong.
Space isn't my friend. It's my enemy. It's where everything safe becomes
dangerous.
Where Fletch becomes the good guy.
The hot guy.
The I-need-him-in-me guy.
And where it's all caught on camera.
Because this journey started there, with Rico and cameras and people
watching me because they can.
As Michael shoots photos and dictates angles, all I feel is Fletch's
rum-THUM-rum-THUM beat, his heart against mine, telling me stories that
go back seventeen years.
Before my heart wall had turrets. Before my heart wall had defenses and
gun mounts and cannons.
Before I had a wall around my heart at all.
The kiss comes, unexpected but oh, so right. Fletch's mouth is
inevitable, lips on mine like fate herself stepped into the frame and
ordered us to do this. Logically, it makes no sense, but emotionally,
it’s what the universe dictates, the kiss aligning so many layers of my
being that it's almost painful how perfect this is.
His hands loosen at my wrists, one threading its way through my hair,
tugging just enough to break the sensuality of this moment, but also
brutal enough to make my hips rise up and beg for more. His tongue is
exploring me like no good guy should, nothing but bad and filthy and
raunchy and a promise of slick, hot, no-holds-barred sex if I just let
him in, just let him try, just let him–
Just plain old let him.
But first, I have to let myself.
#5
“Fletch,” I start, walking into my office, waving him on. As we pass by
the children, they snicker and whisper, the girls more stirred up than
the boys. We reach the office, I close the door, and ask, “Why are you
here?”
“I came to see you because I knew this was your lunch break and you've
been ignoring my texts and calls.”
“Maybe I need some space.”
“I respect that.”
“Clearly, you don't.”
“Look, Fiona, I'm not here to argue with you. Or to crowd you or upset
you. The opposite, actually. I realized our wires have been crossed and
it was better to just come to you, face to face, and say what needs to be
said.”
“You couldn't wait until I wasn't working?”
“If you'd answer my texts and calls, I could.”
“Fair enough. What do you want to say? What needs to be said?”
“I would like to ask you out on a date.”
“A date?”
“Yes.”
“Why?”
“Because I like you.”
“That's it?”
“Isn't that enough?”
“After seventeen years of teasing me, of that stupid nickname following
me around like a poltergeist, now you suddenly decide that because I
saved your nephew you want to date me?”
“It's not like that.”
“Then what is it like?”
“I don't know. Let me find out what it's like by spending time with you.
Let's both find out what the other is really like. Do we have to define
this? Let's explore it.” He grins. “Let's explore each other.”
“I think you're trauma bonding with me and getting that confused with
having feelings for me.”
“Trauma bonding?”
“We went through something emotionally intense together. You helped me. I
saved your nephew. But that doesn't mean we should date.”
“That's not why I'm asking you out.”
“Is it because we kissed?”
“That's not why, but it certainly adds to all the reasons why.”
ALSO AVAILABLE
BY JULIA KENT
Little Miss
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COMING SOON
Hasty –
Releasing July 28, 2020
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AUTHOR BIO
New York Times and USA Today
bestselling author Julia Kent writes romantic comedy with an edge. Since
2013, she has sold more than 2 million books, with 4 New York Times
bestsellers and more than 19 appearances on the USA Today bestseller
list. Her books have been translated into French and German, with more
titles releasing in 2019.
From billionaires to BBWs to new adult rock stars, Julia finds a sensual,
goofy joy in every contemporary romance she writes. Unlike Shannon from
Shopping for a Billionaire, she did not meet her husband after dropping
her phone in a men's room toilet (and he isn't a billionaire she met in a
romantic comedy).
She lives in New England with her husband and three children where she is
the only person in the household with the gene required to change empty
toilet paper rolls.
AUTHOR LINKS
Website: http://www.jkentauthor.com
Facebook: https://www.facebook.com/jkentauthor
Twitter: https://twitter.com/jkentauthor
Newsletter: http://bit.ly/2PIBi9n
Instagram: https://www.instagram.com/jkentauthor
Bookbub: https://www.bookbub.com/authors/julia-kent
Goodreads: https://www.goodreads.com/jkentauthor
Amazon: https://www.amazon.com/Julia-Kent/e/B00A99V268
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